Methodological bases of doctoral studies in History of Art

Pre-requisites: Regular attendance at classes. Regular study of literature for teaching units. No special prerequisites.

Course objectives: Improvement of a comprehensive knowledge of the history of developing methods of Art History, from the beginnings of the discipline to the present. Introduction to recent and contemporary methods of Art History, and possibilities and ways of interpreting a work of art.

Course description: Theoretical part: The problem of defining the object of study. Review (mapping): beginnings and foundation of the discipline - from the Renaissance to the 18th century; principles of the discipline and the style; development of Art History in the 19th century. Key changes in methodology, their purpose and objectives during the 20th century. Special emphasis on the application of methods in the History of Architecture and Museology with Heritology. Practical work: Study of historical and theoretical texts, and practice of different methods in analysing a piece of work.

Learning Outcomes: Having acquired a comprehensive insight into different interpretative methods of Art History, the student is qualified a) to analyse a work of art or a phenomenon; b) for critical thinking.

Literature/Reading:

• The Art of Art History, ed. by D. Preziosi, Oxford History of Art, Oxford University Press, London 1998.109-165; 227-257; 277-339. za oblast IMU/Merenik
• C. Mango, Byzantine Architecture, London 1986.
• Ž. Dibi, Vreme katedrala. Umetnost i društvo 980-1420, Beograd 1989.
• Nedogled Ikarije. Antologija metodološke građe (prir. M. Nedeljković), Kragujevac 2000.
• The Art Historian, National Traditions and Institutional Practices, ed. by M. F. Zimmermann, Sterling and Francine Clark Art Institute: 2003.
• Art History, Aesthetics, Visual Studies, ed. by M. A. Holly- K. Moxey, Sterling and Francine Clark Art Institute: 2002.
• P. Dragojević, Politics and Culture. Concept of Art as a Social Weapon in Yugoslavia and Serbia, zbornik Braničevo kroz vojnu i kulturnu istoriju Srbije, I, sv. 3, Požarevac: Istorijski
• Art in Modern Culture, ed. by F. Frascina & J. Harris, Phaidon, London 1995.
• Proceedings of the 21st International Congress of Byzantine Studies (London, 21-26 August 2006), Vol. II: Abstracts of Panel Papers, Aldershot 2006, 91-113
• L. Shaner, Byzantium on the web: renovation and reworking of the Dumbarton Oaks website
• V. Foskolou, Byzantium on the web: new technologies at the service of museums and educational institutions for the presentation of Byzantine culture
• T. Gregory, Teaching Byzantine history online: reaching new generations of students
• D. Smythe, The role of the computer and internet in teaching and researching Byzantium
• S. Lazaris, Etudes byzantines et Internet
• M. Jeffreys, Prosopography and the internet: new possibilities
• T. Pratsch, Prosopographical Index of the Byzantine Empire
• I.Maroević, “Dokumentacija spomenika kulture kao dio informacijskog sustava – principi I metode”, Sadašnjost baštine, Zagreb 1986, 260-290
• V. J. Đurić, Dubrovačka slikarska škola, Beograd 1963.
• O. Mikić, Srpsko slikarstvo 18-20. Veka. Odabrane studije, Novi Sad 2005, 33-49, 55-57, 78-82
• Wojciech Gluzinski, “Muzeum a dokumentacija”, u: U podstaw muzeologii, Warszawa 1980, 293-318 (prevod na srpski će se nalaziti u “rideru”)
• J. Bialostocki, Povijest umjetnosti i humanističke znanosti, Zagreb 1986 (168), za oblast IMU/Merenik
• E. Panofski, Umetnost i značenje: Ikonološke studije, Beograd 1975, 19-43. za oblast IMU/Merenik
• E. Panofski, O umetnosti, Beograd 1999, 131-227. za oblast IMU/Merenik
• H. Belting et al. (ed.), Uvod u povijest umjetnosti, Zagreb 2007: 7-45; 141-373. za oblast IMU/Merenik
• T. J. Clark, The Conditions of Artistic creation (9) (tražiti fotokopiju od mentora), za oblast IMU/Merenik
• G. Pollock, Modernity and the spaces of Femininity (15) (tražiti fotokopiju od mentora), za oblast IMU/Merenik
• R. Nelson, R. Šif, Kritički termini istorije umetnosti, Novi Sad 2004, za oblast IMU/Merenik
• A.Kadijević, Vidovi distanciranja od pojava tokom njihovog tumačenja u arhitektonskoj istoriografiji, Nasleđe X, Beograd 2009, 235-253;
• Z.Manević, Arhitektura između biznisa i kulture, Izgradnja 3,Beograd 1987, 35-36.
• Zigfried Giedion, Historija i arhitekt, Čovjek i prostor 133-134, Zagreb 1964, 18.
• R.Klajn, Secesija: Jevrejski (ne) ukus, Menora (zbornik radova), Beograd 2010, 133-175.
• A.Stupar, Volja za moć: Rekonstrukcijom do vladarske katarze, DaNS 44,Novi Sad 2003, 47-48.